South-East Asia IPR Basics Series: Copyright in Malaysia

copyright, page 2Copyright in Malaysia is governed by the Copyright Act (1987) and the Berne Convention (to which Malaysia acceded in 1990). As a member of the Berne Convention, Malaysia recognises a wide variety of artistic works which are copyrightable, including literary, artistic, and musical works, sound recordings and films, drawings, computer codes, and more. All artistic works receive protection for the form of the work’s expression—meaning, for example, that your code is protected, but you cannot prevent someone from writing different code which accomplishes the same thing by using copyright.

In today’s article we explore the Malaysian copyright system, with a focus on how European SME’s can best exploit it to protect their materials.

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South-East Asia IPR Basics Series: Copyright in Indonesia

copyright2The Republic of Indonesia is the largest economy in Southeast Asia and the 16th largest worldwide. It is also the most populous country in the region with an estimated total population of over 255 million and represents a huge market opportunity for European trade.

In this segment of the South-East Asia IPR Basics series, we’ll be looking into the core IPR legislation and procedures in this prominent region.

As always, if you’d like any more information, feel free to check out our website, or contact our experts for free on our IPR Helpline.

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Espresso IP 6: Copyright in Vietnam

espressoIP-01Pen touches paper, and a copyright is born! Copyright is the right to profit from and protect any creative works you create. Copyright protection is conferred automatically upon creation of a work but does not deter all infringers.

In this podcast, hosts Alexander Bayntun-Lees and Samuel Sabasteanski discuss the intellectual property laws governing copyright in Vietnam. As always, for more information on protecting your IP, send our South-East Asia IPR SME Helpdesk experts a message.

Espresso IP 006 – Copyright in Vietnam (Length – 7:34)

In Vino Veritas: Getting Practical; Market monitoring and alternative enforcement strategies

wine label-05Today we have a guest article, kindly written for the Helpdesk by expert counterfeit investigator and old China hand Nick Bartman.

Nick has over 25 years of experience personally investigating and putting a stop to counterfeiting activities, 20 of which he has spent working in China for some of the biggest brands and household names. Over the last 6 years he has worked almost exclusively to expose wine counterfeiters and spread the word throughout the wine industry and has developed an extensive knowledge of the strategies and methodologies used by wine counterfeiters in China today.

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In Vino Veritas: Terroir IPR Part 2: Regulatory bodies and collective action against counterfeiting

wine label-04In our previous article we discussed wine’s history as a product heavily reliant on geography, soil quality, and climate, or terroir for its unique characteristics, the resultant importance of regional classifications, and the legal protection available for producers based in distinctive wine regions. In this article we’ll be looking at how certain regulatory bodies and wine associations can, and in some cases already do, help producers to protect the reputations of their brands. Finally we’ll look at how the wine industry can come together to tackle the counterfeiting industry which continues to damage the sales and reputation of this much loved beverage.

As always, if you have any questions, get in touch with our experts here.

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